CIBA

Instituto Superior Tecnológico de Cine y Actuación (INCINE)

Higher Technological Institute of Cinema and Performance (INCINE)

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  • Basic Facts
  • Mission & Strategy
  • Degree Areas
  • Key Teaching Staff
  • Successful Graduates

Basic Facts

  • Year of Foundation:

    2005

  • Year of Receiving CILECT Full Membership:

    2010

  • Year of Receiving Last State Accreditation:

    2005

  • Agency (-ies) Who Awarded the State Accreditation:

    Consejo Nacional de Educación Superior (hoy Secretaría Nacional

  • Name of Director (Rector, Dean, Head of School):

    Lisette Cabrera

  • Address:

    Lugo N24-298 y Vizcaya, La Floresta, Quito (EC170109)

  • Country:

    Ecuador

  • Website:

    https://www.incine.info

  • Points of Contact

    CILECT Contact Person:
    Vice-Rector Camilo Luzuriaga
    Telephone:
    +593 2 290 89 90
    Mobile:
    +593 9 853 37 17
    Email:
    camilo@incine.info

Mission & Strategy

Mission
To build a space for learning, training, and broad, flexible reflection that welcomes all personal, technical, and expressional inquiries, explorations, and experiments, including the different rhythms and particular processes of each filmmaker in the making.
Vision
To be a space for learning where young people interested in making films can discover and develop the inner experience that informs their expressivity and assimilate training and techniques for creating films.
To be a space that promotes the aesthetic and technical development of cinema and contributes to fostering social appreciation of the arts and culture.
To be a space where learning in the arts is enhanced through quality teaching, supporting the emergence of a cinematic movement that raises the aesthetic level of television and audiovisual production through its different styles, diverse themes, and personal languages.

Degree Areas

Film and Acting

  • Degree Awarded

    BFA

  • Training Type

    Full-Time

Tuition Fees

  • Residents

  • Non-Residents

Number of Students

  • Applicants (Male/Female/Other)

  • Enrolled Students (Male/Female/Other)

  • Students Total (Male/Female/Other)

  • International Students incl. in Total (Male/Female/Other)

  • Graduates incl. in Total (Male/Female/Other)

Admission Requirements

  • Portfolio & Interview

    No information

  • Agreements with Foreign Governments

    No information

  • High Institution Matriculation

    No information

  • Recognized Prior Expertise

    No information

  • Talent Entrance Exams

    No information

Language of Studies

  • Language of Studies

Student Practical Work Obligations

Graduation Obligations per Student

  • Practical Work

    No information

  • Written Thesis

    No information

Budget Parameters

  • Total Amount from School`s Budget Allocated to Production Annually

  • Average Graduation Practical Work Budget per student

3D Animation

  • Degree Awarded

    BFA

  • Training Type

    Full-Time

Tuition Fees

  • Residents

  • Non-Residents

Number of Students

  • Applicants (Male/Female/Other)

  • Enrolled Students (Male/Female/Other)

  • Students Total (Male/Female/Other)

  • International Students incl. in Total (Male/Female/Other)

  • Graduates incl. in Total (Male/Female/Other)

Admission Requirements

  • Portfolio & Interview

    No information

  • Agreements with Foreign Governments

    No information

  • High Institution Matriculation

    No information

  • Recognized Prior Expertise

    No information

  • Talent Entrance Exams

    No information

Language of Studies

  • Language of Studies

Student Practical Work Obligations

Graduation Obligations per Student

  • Practical Work

    No information

  • Written Thesis

    No information

Budget Parameters

  • Total Amount from School`s Budget Allocated to Production Annually

  • Average Graduation Practical Work Budget per student

Audiovisual Design

  • Degree Awarded

    BFA

  • Training Type

    Full-Time

Tuition Fees

  • Residents

  • Non-Residents

Number of Students

  • Applicants (Male/Female/Other)

  • Enrolled Students (Male/Female/Other)

  • Students Total (Male/Female/Other)

  • International Students incl. in Total (Male/Female/Other)

  • Graduates incl. in Total (Male/Female/Other)

Admission Requirements

  • Portfolio & Interview

    No information

  • Agreements with Foreign Governments

    No information

  • High Institution Matriculation

    No information

  • Recognized Prior Expertise

    No information

  • Talent Entrance Exams

    No information

Language of Studies

  • Language of Studies

Student Practical Work Obligations

Graduation Obligations per Student

  • Practical Work

    No information

  • Written Thesis

    No information

Budget Parameters

  • Total Amount from School`s Budget Allocated to Production Annually

  • Average Graduation Practical Work Budget per student

Key Teaching Staff

Camilo Luzuriaga

Field of Teaching: Dramaturgia; Direction, Production
Major Achievements:

Producer and Director of: Tierra Cañari (1977), Don Eloy (1981); Chacón Maravilla (1982), mejor película infantil en Festival de Tampere; Los mangles se van (1984) mejor película educativa Festival de La Habana; La Tigra (1990), mejor película y mejor ópera prima en Festival de Cartagena de Indias; Entre Marx y una mujer desnuda (1996) Festival de La Habana: Premio Coral a la Mejor Dirección Artística, Festival de Cine Latinoamericano de Trieste, Italia Mejor Guión y Mejor Banda Sonora; Mientras llega el día (2004); Cara o Cruz (2006).
Productor: “LOS CANALLAS”(2009), Cenit de Bronce mejor ópera prima World Film Festival de Montreal.
Local Producer: “Prueba de Vida”, (Taylor Hackford whith Meg Ryan andRusell Crowe, 2000).
“Premio Nacional de las Artes Juan León Mera” (2006); “Premio Patrimonio Latino” – Festival de Miami (2005)

Lissette Cabrera

Field of Teaching: Performance
Major Achievements:

Protagonist actriz in 20 theatrical productions , three films and TV series. Author of “Annotations for a film”, co -writer of the feature film “Car o Cruz”, screenwriter and director of the thriller “If suddenly at night”. Studied acting in Buenos Aires and obtained a scholarship to study screenwriting at the University of Bergen, Norway. Professor since 1983 in theater workshops, film and performance. Degree in Performance, Diploma in Educational Management , Maestrante in Acting .

Juan Carlos Camacho

Field of Teaching: Production

Lourdes Endara

Field of Teaching: Production; Film studies
Major Achievements:

Audiovisual producer . Director of more than 20 educational , institutional and fiction, as well as several radio in Spanish , Quichua , Shuar , A’i and Portuguese short films series . Production manager on “Sensaciones” (1991); Executive producer “El último en morir” (2015); “Penumbra”, project under development . Master of Cultural Studies at the Universidad Andina Simon Bolivar. BA in Anthropology at Pontificia Universidad Catolica del Ecuador, specializing in Communication Studies at ARCIS Institute ( Santiago de Chile). University faculty since 1992, researcher and consultant on issues related to multiculturalism, collective identities, local development , communication, discourse analysis and image .

René Espinosa

Field of Teaching: Damaturgia; Film's history

Patricio Capelo

Field of Teaching: Post production

Mauricio Acosta

Field of Teaching: Sound; Sound desing; photography

New staff

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