Basic Facts
-
Year of Foundation:
1993
-
Year of Receiving CILECT Full Membership:
1995
-
Year of Receiving Last State Accreditation:
n/a
-
Agency (-ies) Who Awarded the State Accreditation:
n/a
-
Name of Director (Rector, Dean, Head of School):
Nadia Kløvedal Reich
-
Address:
Carl Th. Dreyers Vej 1, 8400 Ebeltoft
-
Country:
Denmark
-
Website:
-
Points of Contact
CILECT Contact Person:Principal: Nadia Kløvedal ReichTelephone:+45 86 34 00 55Email:info@europeanfilmcollege.com
Mission & Strategy
VISION
The European Film College shall be the world’s best film foundation course with a broad humanistic approach to the developing of each student and an understanding of film as a collaborative art form.
VALUES
Quality
The European Film College’s most valuable strength is the quality of the school’s foundation course: Quality in teaching and in projects, quality in the residential life and quality of the physical environment as an environment for learning and for personal growth.
Other school activities such as summer courses and the cinema must be based on high quality in terms of content and performance. External collaborations are elected based on an assessment of the quality of the partner and the specific project. Quality is a landmark in terms of meeting students, customers and partners, in the working environment, as well as in the choice of commodities, furniture, equipment etc.
Diversity
Diversity is a crucial quality in the folk high school tradition: An open and inclusive atmosphere with room for human, cultural and methodical diversity is a corner stone in the folk high school experience. Diversity is just as crucial in artistic formation, where it is a precondition for development that there is never only one answer, one style, but instead opposing and conflicting point of views and expressions co-existing side by side. Diversity as a value is used in the intake of students, the composition of faculty and staff, choice of fields, screenings, workshops, guest lecturers etc.
Community
The sense of community is an important aspect of the daily life at the European Film College. The school must meet students and staff as complete human beings with professional capacity and human quality. The sense of community between staff and students, the feeling that everybody works towards the same goals, solving the challenges together. The community is also pointing outside the school: The European Film College community among the alumni, the sense of community with the city, other folk high schools, cultural institutions and film schools. Community as a value also influences the social and learning processes at the school as well as the school’s involvement locally, regionally, nationally and internationally.
Dynamic
It is crucial in the school’s meeting with students and business to focus on development and dynamics. The school prioritizes constant development, improvement and refinement in all its processes and structures, and strives to face new opportunities progressively and curiously. The school must always consider how we can develop and improve and whether there is a need for change in terms of teaching, organization or physical environment. Dynamic reflect an organization which is on the move on a strategic level but also in the everyday challenges, which are constantly changing.
Degree Areas
Practical Course
-
Degree Awarded
Diploma
-
Training Type
Full-Time
Tuition Fees
-
Residents
15,000
-
Non-Residents
Number of Students
-
Applicants (Male/Female/Other)
250
-
Enrolled Students (Male/Female/Other)
120
-
Students Total (Male/Female/Other)
120
-
International Students incl. in Total (Male/Female/Other)
55
-
Graduates incl. in Total (Male/Female/Other)
120
Admission Requirements
-
Portfolio & Interview
No information
-
Agreements with Foreign Governments
No information
-
High Institution Matriculation
No information
-
Recognized Prior Expertise
No information
-
Talent Entrance Exams
No information
Language of Studies
-
Language of Studies
English
Student Practical Work Obligations
-
Fiction Short Films (5-15 min.)
4-6
-
Fiction Short Films (15-30 min)
1-3
-
Documentary Films (under 30 min)
1-3
Graduation Obligations per Student
-
Practical Work
No information
-
Written Thesis
No information
Budget Parameters
-
Total Amount from School`s Budget Allocated to Production Annually
-
Average Graduation Practical Work Budget per student
Key Teaching Staff
Trained at the National University of Theatre and Film, Bucharest.
I have taught Cinematography at the European Film College since 1994, after a
Cinematographer career with the Romanian Motion Picture Studios. After attaining the BA in Cinematography I worked for a number of studio productions ranging from commercials and corporate movies to documentaries and features until my debut as Director of Photography in 1989, while working simultaneously as a freelance journalist.
I am a member of the Dansk Filmfotograf Forbund (Danish Association of
Cinematographers) and a former Board member of the Danish Filmmakers Union, FAF.
Suzanne Popp
Trained as a cinematographer at the NYU.
Suzanne Popp has worked as a cinematographer in both New York and Denmark. She will be teaching basic courses in lighting for film.
Whereas light for film is often seen as a very technical field, Suzanne Popp has a slightly different approach to it. In her classes the students are encouraged to study and describe light and to develop a very philosophical and emotional approach to the element.
James Fernald
Studied filmmaking at Ithaca College in New York.
I grew up near Boston, in an area noted for its writers (Thoreau, Emerson, Alcott, Hawthorne) and an appreciation of literature was instilled in me early on. I studied English at Rollins College in Winter Park, Florida and filmmaking at Ithaca College in upstate New York. After graduating I spent a year in the former Danish island of St. Thomas in the US Virgin Islands, then returned north to write a humour column for a Boston newspaper. In the early 1990s I moved to Los Angeles, where I wrote over 15 screenplays and worked in development for a variety of film and television production companies, including Centropolis (Independence Day, The Patriot) and Carsey-Werner (Cosby Show, Roseanne, etc). I also worked for a production company that specialized in Australian authors, helping them adapt their work for the screen. In 2000 I and my Danish wife moved to Denmark and since then I have taught scriptwriting at the European Film College.
Asger Lindqvist
Originally with a background in music and composition, Asger graduated with a BA in Sound Design from Sonic College in 2014. Since then he has worked and lived in both Berlin, Los Angeles and Copenhagen – on projects of all kinds and sizes. From Hollywood action films to Belgian news jingles and everything in between.
Aside from teaching at European Film College, Asger remains active in the industry by running a small sound design company and also as an occasional director with a handful of short films to his name.
Halfdan Muurholm
Halfdan has directed and produced dozens of documentaries from all over the world.
He has been awarded prizes for his film work, in particular in the subjects of Climate Change and Pilgrimage. Until 2020 his playground was at DR -The Danish Broadcast Corporation.
Zareh Tjeknavorian
Zareh was born in Fargo, North Dakota into a family of musicians and grew up in Tehran, London, Frankfurt, Paris and New York. At age 4 he switched plans from becoming an astronaut to making movies after watching the horror classic The Brides of Dracula on Iranian TV. Graduating from NYU film school, he began his directing career amidst the ruins of the USSR, drawn to stories set in the aftermath of genocide and dictatorship. Over the years he’s pursued his obsessions with esotericism, ancient life-ways and lost histories through acclaimed short and long-form films.
Zareh’s work screens regularly at festivals and has won numerous awards, including the Grand Prix at the 2019 Kinoskop Analog Film Festival in Belgrade, Best Experimental Film at the 2021 ‘Caligari’ Festival Internacional de Cine de Terror in Valencia, Best Visionary Short at the 2021 Psychedelic Film & Music Festival in New York City, and Best Picture at the 2021 Hermetic International Film Festival in Venice.
Before coming to EFC, Zareh lived in Brooklyn, Albuquerque, and Yerevan, where he started a family and embraced his calling as a teacher, sharing his lifelong passions for cinema and learning at the American University of Armenia.
Lars Lehmann
Lars has produced many award winning films and programs, including “SOLITAIRE”, a feature length Christmas film nominated for four Genie (Canadian Screen Awards), FUGITIVE’S RUN, KNUCKLEBALL, ALIVE, and THE SECRET HISTORY OF THE WILD WEST. Films he has produced have been screened at festivals around the world, and have won dozens of awards worldwide. He has also worked on many other feature films as Line Producer and or Production Manageran.
Lars is an acclaimed documentary producer and director. His series SNOW SAFARI has been seen in over 35 countries around the world, and his 4 part documentary series THE INDUSTRY, profiling the music industry, was glowingly reviewed across Canada. Short films he has produced and distributed have been broadcast in prime time on BBC, SVT (Sweden), PBS, Slovak Broadcasting, and on multiple Canadian broadcasters. He has also produced music videos and specials, and was at one time the Head of Production for CMT Canada. Previously, Lars was a member of the Board of Directors for both the Alberta Motion Picture Industries Association (now the Alberta Media Producers Association), and for the Banff Television Festival in Canada.
Nicole Palo
Nicole Palo is a Belgian-American director and screenwriter, born in the US. After graduating from the University of Brussels with majors in Journalism and Scriptwriting, she studied in Denmark at EFC. In 2005, she directed the short film Anna ne sait pas, shot on Super-16mm.
In 2008, she won the micro-budget feature film contest organised by Cinéastes Associés, supported by ARTE and the Belgian French community. She directed Get Born from the script she wrote on the theme ‘Being 20’. The film, broadcast on ARTE in April 2009, and was released on DVD under the label Actes Belges.
She wrote and directed the feature film comedy Emma Peeters, produced by Take Five (Belgium) and Possibles Média (Canada). It was the closing film at the Giornate Degli Autori 2018 (Venice Festival). She won the Best Director award at the 2019 Monte-Carlo Comedy Film Festival with a jury presided by Emir Kusturica. She also works as an expert for the MEDIA Programme of the European Union (Creative Europe), as consultant and script doctor for several production companies and as teacher in feature film scriptwriting and acting.
Søren B. Ebbe
Søren graduated from the National Filmschool in Beaconsfield, London in 1996. Moving back to Denmark with his family, after nearly 10 years in UK, he started working in the danish film industry as well as abroad.
His work as an editor covers the entire range from commercials to feature films, including TV-series and feature-length documentaries. Aside from his job as a teacher at EFC, he is also studying to become a psychotherapist.
”Sometimes you create from your instinct, not being able to put reasons or precise words behind your choices…until afterwards – working in an editing room is like that”
Successful Graduates
Pilou Asbæk
Pilou Asbæk, Denmark, was a student at the European Film College from 2002-2003, and in the summer 2008 he graduated from The Danish National School of Performance Arts. That same year, he was casted for one of the lead roles in the Danish drama ‘Worlds Apart’.
In 2010 he had his first major breakthrough with his role in the prison drama ‘R’ by another former EFC student, Michael Noer. In 2011 he was elected as a Shooting Star at the Berlin Film Festival, and his career quickly took speed after that. Today he is one of Denmark’s most acclaimed actors, and he has starred in several Hollywood productions, including ‘The Whistleblower’, ‘Lucy’ and recently the HBO series ‘Game of Thrones’. Pilou Asbæk also played the main character in the Danish drama ‘A War’, which was nominated for an Oscar in 2016.
Sturla Brandth Grøvlen
Sturla Brandth Grøvlen, Norway, was a student at the European Film College in 2001-2002. After that he attended the Bergen Academy of Art, where he then used his graduation project to get into the National Film School of Denmark.
After working hard for a number of years on music videos, documentaries and short films, he was hired by the Danish director Anders Morgenthaler to shoot the feature ‘The 11th Hour’ (‘I am Here’). That lead him to German filmmaker Sebastian Shipper, who hired him to film the one-take thriller, ‘Victoria’.
or his amazing work on ‘Victoria’, Sturla Brandth Grøvlen won a Silver Bear in Berlin in 2015 for Outstanding Artistic Contribution. He recently shot the Icelandic film ‘Rams’ (‘Hrútar’), which won the Un Certain Regard Award in Cannes in 2015.
Andrés Longares
Andrés Longares, Spain, was a student at the European Film College from 2000-2001. After that he went to the Film School in Cuba for a postgraduate course in Executive Production and was granted the Nipkow Fellowship in Berlin in 2002.
Andrés Longares also went to Business School in Madrid and earned a MA in Screenwriting from the University of Barcelona.
He joined the Sony Pictures Entertainment production office in Madrid for two years before starting up a postproduction company in 2005. In 2008 he joined CEPA Audiovisual in Buenos Aires.
Longares has been producing feature films and documentaries in Argentina and co-producing projects within Latin America (Brazil, Peru, Ecuador, Colombia, Venezuela and Chile).
Joachim Trier
Joachim Trier, Norway, was a student at EFC in 1995-1996. After that he attended the National Film and Television School in London (NFTS), from where he graduated as a director in 2000. His debut feature film, Reprise, won numerous awards, including the Discovery Award at the Toronto Film Festival, and it launched his journey towards becoming one of the most acclaimed directors in Europe.
Joachim Trier is is one of EFC’s most acclaimed former students, and he visits the school from time to time. Trier recently directed the film Thelma, which won for Best Film at the Melinka Queer Film Award at FEST in Portugal as well as receiving nominations at several other film festivals.
Trier also co-wrote and directed the film Louder Than Bombs, which was selected for the main competition in Cannes in 2015. He always works closely with another EFC alumni, editor Olivier Bugge Coutté, who edits all Trier’s feature films. The two of them met during their stay at the European Film College.
Charlotte Bruus Christensen
Charlotte Bruus, Denmark, was a student at EFC from 1997-1998. After EFC, she attended the National Film and Television School in London (NFTS), where she graduated as a cinematographer in 2004.
Shortly after graduating the NFTS, Charlotte was discovered by the Danish director Thomas Vinterberg, who decided to use her as Director of Photography on his film ‘Submarino’. From there, Charlotte’s career quickly gathered speed as she became Vinterberg’s preferred cinematographer and filmed his next two features, ‘The Hunt’ and ‘Far From the Madding Crowd’.
In 2015, Charlotte was headhunted by Spielberg’s Dreamworks as Director of Photography on ‘The Girl on the Train’, which premiered in 2017.
Charlotte has won several awards, including the Vulcain Prize for the Technical Artist in Cannes (for ‘The Hunt’).
Christina Rosendahl
For many years, Christina Rosendahl has been a very important player in the Danish film business. She was a student from 1995-1996.
Christina Rosendahl first had her breakthrough in 2002 with the music documentary ‘Stargazer’, about her little sister Pernille, struggling to get a record deal with her band, Swan Lee. The film was widely acclaimed.
After that, Christina made her first fiction feature, ‘Triple Dare’ – an honest, funny and daring story about three girls playing dare. This became proof of Christina’s diversity and her ability to move safely in both fiction and non-fiction.
Christina Rosendahl’s third feature film, ‘The Idealist’, premiered in 2015 after years of hard work and research. It is a political thriller about a dark spot in Danish history: the nuclear disaster at the Thule Air Base in 1968. The film won several awards.
Christina has always been a spokesperson for women’s rights and for gender equality, both through her films and also in her job as head of the union of Danish Directors. And with her 2017 documentary, ‘Violently in Love’, she managed to stir up so much political debate, that emotional and mental abuse and violence is now considered a crime in Denmark, alongside physical violence.
At EFC, Christina became friends with fellow student Peter Albrechtsen, who is now an award-winning and acclaimed sound designer. The two still work closely together on all Christina’s films. They are very close friends and have visited EFC together on several occasions.
Since 2020, Christina Rosendahl is also a member of the board at European Film College and continues to be a valuable ambassador for the school.