CAPA

東京藝術大学 大学院映像研究科

Tokyo University of the Arts (TUA)

Visit Website
  • Basic Facts
  • Mission & Strategy
  • Degree Areas
  • Key Teaching Staff
  • Successful Graduates

Basic Facts

  • Year of Foundation:

    2005

  • Year of Receiving CILECT Full Membership:

    2006

  • Year of Receiving Last State Accreditation:

    2006

  • Name of Director (Rector, Dean, Head of School):

    Takeshi Kiriyama

  • Address:

    4-44 Honcho Naka-ku Yokohama Kanagawa Japan 231-0005

  • Country:

    Japan

  • Website:

    https://fm.geidai.ac.jp/

  • Points of Contact

    CILECT Contact Person:
    Saori Takenaka
    Telephone:
    +81 50 55 25 26 83
    Email:
    takenaka.saori@fm.geidai.ac.jp
    Email:
    geidaimovie@gmail.com

Mission & Strategy

What does it mean to study film in the Graduate School of Film? Many people who have worked with video in their undergraduate studies or have practical experience in the field might wonder why one would choose to pursue video research at the graduate level. After all, with the right equipment and technical skills, it’s possible to create videos without the need for formal research. So, why would someone opt to study video at a university?

If we take a look back, until the establishment of the Graduate School of Film in 2005, Tokyo University of the Arts had only the Faculty of Fine Arts and the Faculty of Music. Both of these faculties have a long history dating back to the Meiji era and now encompass numerous specialized fields. The division into specialized fields reflects the maturity of those areas of study. Each field has its own theories and techniques, allowing newcomers to efficiently acquire the accumulated knowledge.

In contrast, the field of video has been expanding, making it challenging to fix specialized fields. For organizational purposes, the Master’s program has three majors: Film, Media Images, and Animation, while the Doctoral program has a major in Video Media Studies. However, questions such as whether a documentary should be shot as a film or animated have little meaning. You can explore documentary through filmmaking or animation. The same applies to stage direction, game production, virtual reality experiences, and many other areas where film, media, and animation can all contribute. Whether it’s what you’re talking about (the “what” in H), or how you’re depicting it (the technique), the field of video is still evolving.

In this context, the role of the Graduate School of Film is to explore new fields while researching theories and techniques. Research might sound grandiose, but essentially, it’s about elucidating how you thought and realized your work. Each analysis may be specific to individual works, but the process of analysis serves as a useful guide for future creators. Accumulated knowledge eventually transcends individual production and becomes theory and technique. While the issues to be addressed in research are left to the individual, there are countless areas to explore, from entertaining the audience, offering unprecedented experiences, uncovering overlooked problems, to visualizing the unseen.

What is common among the students of the Graduate School of Film, however, is the stance of thinking while creating. It is widely known that thinking through practice is highly valuable for making discoveries. However, it can be challenging to achieve this in a university setting. The Graduate School of Film provides an environment where thinking while creating is possible, and it is hoped that each participant will not only create excellent works but also accumulate new knowledge through research. This accumulation will eventually become part of the history, referred to as the history of the Heisei era, in the years to come.

Degree Areas

Film

  • Degree Awarded

    MA

  • Training Type

    Full-Time

Tuition Fees

  • Residents

  • Non-Residents

Number of Students

  • Applicants (Male/Female/Other)

  • Enrolled Students (Male/Female/Other)

  • Students Total (Male/Female/Other)

  • International Students incl. in Total (Male/Female/Other)

  • Graduates incl. in Total (Male/Female/Other)

Admission Requirements

  • Portfolio & Interview

    No information

  • Agreements with Foreign Governments

    No information

  • High Institution Matriculation

    No information

  • Recognized Prior Expertise

    No information

  • Talent Entrance Exams

    No information

Language of Studies

  • Language of Studies

Student Practical Work Obligations

Graduation Obligations per Student

  • Practical Work

    No information

  • Written Thesis

    No information

Budget Parameters

  • Total Amount from School`s Budget Allocated to Production Annually

  • Average Graduation Practical Work Budget per student

Animation

  • Degree Awarded

    MA

  • Training Type

    Full-Time

Tuition Fees

  • Residents

  • Non-Residents

Number of Students

  • Applicants (Male/Female/Other)

  • Enrolled Students (Male/Female/Other)

  • Students Total (Male/Female/Other)

  • International Students incl. in Total (Male/Female/Other)

  • Graduates incl. in Total (Male/Female/Other)

Admission Requirements

  • Portfolio & Interview

    No information

  • Agreements with Foreign Governments

    No information

  • High Institution Matriculation

    No information

  • Recognized Prior Expertise

    No information

  • Talent Entrance Exams

    No information

Language of Studies

  • Language of Studies

Student Practical Work Obligations

Graduation Obligations per Student

  • Practical Work

    No information

  • Written Thesis

    No information

Budget Parameters

  • Total Amount from School`s Budget Allocated to Production Annually

  • Average Graduation Practical Work Budget per student

Media

  • Degree Awarded

    MA

  • Training Type

    Full-Time

Tuition Fees

  • Residents

  • Non-Residents

Number of Students

  • Applicants (Male/Female/Other)

  • Enrolled Students (Male/Female/Other)

  • Students Total (Male/Female/Other)

  • International Students incl. in Total (Male/Female/Other)

  • Graduates incl. in Total (Male/Female/Other)

Admission Requirements

  • Portfolio & Interview

    No information

  • Agreements with Foreign Governments

    No information

  • High Institution Matriculation

    No information

  • Recognized Prior Expertise

    No information

  • Talent Entrance Exams

    No information

Language of Studies

  • Language of Studies

Student Practical Work Obligations

Graduation Obligations per Student

  • Practical Work

    No information

  • Written Thesis

    No information

Budget Parameters

  • Total Amount from School`s Budget Allocated to Production Annually

  • Average Graduation Practical Work Budget per student

Key Teaching Staff

Nobuhiro Suwa

Field of Teaching: Directing

Michiko Oishi

Field of Teaching: Script writing

Akihiko Shiota

Field of Teaching: Directing

Shoji Masui

Field of Teaching: Shoji Masui

Shozo Ichiyama

Field of Teaching: Produce

Sôhei Tanikawa

Field of Teaching: Cinematography

Toshihiro Isomi

Field of Teaching: Production Design

Hiroyulki Nagashima

Field of Teaching: Sound

Takefumi Tsutsui

Field of Teaching: Editing

Successful Graduates

Ryusuke Hamaguchi

Field of Studies: Directing

Tetsuya Mariko

Field of Studies: Directing

Sho Tsukikawa

Field of Studies: Directing

Sachiko Tanaka

Field of Studies: Script writing
Back to all Members
This profile is maintained by Tokyo University of the Arts (TUA). CILECT holds no responsibility over displayed information.