Basic Facts
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Year of Foundation:
1991
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Year of Receiving CILECT Full Membership:
1993
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Year of Receiving Last State Accreditation:
1993
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Agency (-ies) Who Awarded the State Accreditation:
Ministry of Culture & Education
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Name of Director (Rector, Dean, Head of School):
Manuel Antin
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Address:
Pje. J. M. Giuffra 330 - Buenos Aires
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Country:
Argentina
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Website:
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Points of Contact
CILECT Contact Person:Director: Manuel AntinEmail:m-antin@ucine.edu.arCILECT Contact Person:Vice-Director: Mario SantosEmail:msantos@ucine.edu.arCILECT Contact Person:International Relations: María Marta AntinTelephone:Tel: +54 11 43 00 14 07 / 1413 / 1581 / 1583 / 8190 / 8193Email:mmantin@ucine.edu.ar
Mission & Strategy
Universidad del Cine is presently a meeting point for young people with a vocation for the audiovisual arts, the institutional space for them to realize their dreams. It was created in response to the challenge posed by this new era, as a firm step towards a different and feasible world.
Since its foundation in 1991, the university has maintained three major goals: the generation of an environment that facilitates the conception and development of new projects; the advancement of film education, by placing it within the framework of a comprehensive humanistic curriculum; and the creation of a production center for students to further their academic activities through their insertion in the professional field.
Degree Areas
Film Production
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Degree Awarded
Bachelor of Arts
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Training Type
Full-Time
Tuition Fees
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Residents
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Non-Residents
Number of Students
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Applicants (Male/Female/Other)
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Enrolled Students (Male/Female/Other)
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Students Total (Male/Female/Other)
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International Students incl. in Total (Male/Female/Other)
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Graduates incl. in Total (Male/Female/Other)
Admission Requirements
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Portfolio & Interview
No information
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Agreements with Foreign Governments
No information
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High Institution Matriculation
No information
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Recognized Prior Expertise
No information
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Talent Entrance Exams
No information
Language of Studies
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Language of Studies
Student Practical Work Obligations
Graduation Obligations per Student
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Practical Work
No information
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Written Thesis
No information
Budget Parameters
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Total Amount from School`s Budget Allocated to Production Annually
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Average Graduation Practical Work Budget per student
Film Directing
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Degree Awarded
Bachelor of Arts
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Training Type
Full-Time
Tuition Fees
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Residents
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Non-Residents
Number of Students
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Applicants (Male/Female/Other)
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Enrolled Students (Male/Female/Other)
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Students Total (Male/Female/Other)
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International Students incl. in Total (Male/Female/Other)
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Graduates incl. in Total (Male/Female/Other)
Admission Requirements
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Portfolio & Interview
No information
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Agreements with Foreign Governments
No information
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High Institution Matriculation
No information
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Recognized Prior Expertise
No information
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Talent Entrance Exams
No information
Language of Studies
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Language of Studies
Student Practical Work Obligations
Graduation Obligations per Student
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Practical Work
No information
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Written Thesis
No information
Budget Parameters
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Total Amount from School`s Budget Allocated to Production Annually
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Average Graduation Practical Work Budget per student
Film Screenwriting
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Degree Awarded
Bachelor of Arts
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Training Type
Full-Time
Tuition Fees
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Residents
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Non-Residents
Number of Students
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Applicants (Male/Female/Other)
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Enrolled Students (Male/Female/Other)
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Students Total (Male/Female/Other)
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International Students incl. in Total (Male/Female/Other)
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Graduates incl. in Total (Male/Female/Other)
Admission Requirements
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Portfolio & Interview
No information
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Agreements with Foreign Governments
No information
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High Institution Matriculation
No information
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Recognized Prior Expertise
No information
-
Talent Entrance Exams
No information
Language of Studies
-
Language of Studies
Student Practical Work Obligations
Graduation Obligations per Student
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Practical Work
No information
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Written Thesis
No information
Budget Parameters
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Total Amount from School`s Budget Allocated to Production Annually
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Average Graduation Practical Work Budget per student
Directing of Photography and Cinematographic Camera
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Degree Awarded
Bachelor of Arts
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Training Type
Full-Time
Tuition Fees
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Residents
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Non-Residents
Number of Students
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Applicants (Male/Female/Other)
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Enrolled Students (Male/Female/Other)
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Students Total (Male/Female/Other)
-
International Students incl. in Total (Male/Female/Other)
-
Graduates incl. in Total (Male/Female/Other)
Admission Requirements
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Portfolio & Interview
No information
-
Agreements with Foreign Governments
No information
-
High Institution Matriculation
No information
-
Recognized Prior Expertise
No information
-
Talent Entrance Exams
No information
Language of Studies
-
Language of Studies
Student Practical Work Obligations
Graduation Obligations per Student
-
Practical Work
No information
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Written Thesis
No information
Budget Parameters
-
Total Amount from School`s Budget Allocated to Production Annually
-
Average Graduation Practical Work Budget per student
Cinematographic Art Director
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Degree Awarded
Bachelor of Arts
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Training Type
Full-Time
Tuition Fees
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Residents
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Non-Residents
Number of Students
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Applicants (Male/Female/Other)
-
Enrolled Students (Male/Female/Other)
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Students Total (Male/Female/Other)
-
International Students incl. in Total (Male/Female/Other)
-
Graduates incl. in Total (Male/Female/Other)
Admission Requirements
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Portfolio & Interview
No information
-
Agreements with Foreign Governments
No information
-
High Institution Matriculation
No information
-
Recognized Prior Expertise
No information
-
Talent Entrance Exams
No information
Language of Studies
-
Language of Studies
Student Practical Work Obligations
Graduation Obligations per Student
-
Practical Work
No information
-
Written Thesis
No information
Budget Parameters
-
Total Amount from School`s Budget Allocated to Production Annually
-
Average Graduation Practical Work Budget per student
Cinematographic Layout Artist
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Degree Awarded
Bachelor of Arts
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Training Type
Full-Time
Tuition Fees
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Residents
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Non-Residents
Number of Students
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Applicants (Male/Female/Other)
-
Enrolled Students (Male/Female/Other)
-
Students Total (Male/Female/Other)
-
International Students incl. in Total (Male/Female/Other)
-
Graduates incl. in Total (Male/Female/Other)
Admission Requirements
-
Portfolio & Interview
No information
-
Agreements with Foreign Governments
No information
-
High Institution Matriculation
No information
-
Recognized Prior Expertise
No information
-
Talent Entrance Exams
No information
Language of Studies
-
Language of Studies
Student Practical Work Obligations
Graduation Obligations per Student
-
Practical Work
No information
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Written Thesis
No information
Budget Parameters
-
Total Amount from School`s Budget Allocated to Production Annually
-
Average Graduation Practical Work Budget per student
Directing of Animation and Multimedia Film
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Degree Awarded
Bachelor of Arts
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Training Type
Full-Time
Tuition Fees
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Residents
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Non-Residents
Number of Students
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Applicants (Male/Female/Other)
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Enrolled Students (Male/Female/Other)
-
Students Total (Male/Female/Other)
-
International Students incl. in Total (Male/Female/Other)
-
Graduates incl. in Total (Male/Female/Other)
Admission Requirements
-
Portfolio & Interview
No information
-
Agreements with Foreign Governments
No information
-
High Institution Matriculation
No information
-
Recognized Prior Expertise
No information
-
Talent Entrance Exams
No information
Language of Studies
-
Language of Studies
Student Practical Work Obligations
Graduation Obligations per Student
-
Practical Work
No information
-
Written Thesis
No information
Budget Parameters
-
Total Amount from School`s Budget Allocated to Production Annually
-
Average Graduation Practical Work Budget per student
Master in Documentary Film
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Degree Awarded
Master of Arts
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Training Type
Full-Time
Tuition Fees
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Residents
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Non-Residents
Number of Students
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Applicants (Male/Female/Other)
-
Enrolled Students (Male/Female/Other)
-
Students Total (Male/Female/Other)
-
International Students incl. in Total (Male/Female/Other)
-
Graduates incl. in Total (Male/Female/Other)
Admission Requirements
-
Portfolio & Interview
No information
-
Agreements with Foreign Governments
No information
-
High Institution Matriculation
No information
-
Recognized Prior Expertise
No information
-
Talent Entrance Exams
No information
Language of Studies
-
Language of Studies
Student Practical Work Obligations
Graduation Obligations per Student
-
Practical Work
No information
-
Written Thesis
No information
Budget Parameters
-
Total Amount from School`s Budget Allocated to Production Annually
-
Average Graduation Practical Work Budget per student
Documentary Film Specialist
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Degree Awarded
Specialist Degree
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Training Type
Full-Time
Tuition Fees
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Residents
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Non-Residents
Number of Students
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Applicants (Male/Female/Other)
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Enrolled Students (Male/Female/Other)
-
Students Total (Male/Female/Other)
-
International Students incl. in Total (Male/Female/Other)
-
Graduates incl. in Total (Male/Female/Other)
Admission Requirements
-
Portfolio & Interview
No information
-
Agreements with Foreign Governments
No information
-
High Institution Matriculation
No information
-
Recognized Prior Expertise
No information
-
Talent Entrance Exams
No information
Language of Studies
-
Language of Studies
Student Practical Work Obligations
Graduation Obligations per Student
-
Practical Work
No information
-
Written Thesis
No information
Budget Parameters
-
Total Amount from School`s Budget Allocated to Production Annually
-
Average Graduation Practical Work Budget per student
Successful Graduates
Damian Szifron
Damián Szifron (born 9 July 1975) is an Argentine film and television director and screenwriter, best known as the creator of the TV series Los Simuladores (2002).[2]
Szifron was also the writer and director of the follow-up series in 2003, and of Hermanos y Detectives. He studied cinema with the theoric film writer Angel Faretta. Szifron is a frequent collaborator with actor Diego Peretti, who has appeared in all of Szifron’s films since Punto Muerto (1998), as well as starred in Los Simuladores (The Pretenders). His 2014 film Wild Tales was selected to compete for the Palme d’Or in the main competition section at the 2014 Cannes Film Festival [3] and nominated for the Best Foreign Language Film at the 87th Academy Awards.
Pablo Trapero
Pablo Trapero was born in Argentina in 1971. In 1999 he directed his first feature, “Mundo Grúa”, which won the Critics Prize at Venice. In 2002, he opened his production company, Matanza Cine, that produces films for fellow filmmakers, as well as his own. His second feature, “El Bonaerense” (2002) premiered at Cannes, “Familia Rodante” (2004) at Venice, and “Nacido y Criado” (2006) at Toronto. In 2008, “Leonera”, presented in Competition at Cannes, revealed the talent of Martina Guzman, muse, actress and producer of the cineaste. He returned to Cannes with “Carancho” (2010) and “Elefante Blanco” (2012), both in Un Certain Regard. He has sat on the main Festival juries at Venice, San Sebastian and Locarno, among others. Pablo Trapero is today regarded as one of the leading exponents of Latin American cinema.
Santiago Mitre
Santiago Mitre was born in 1980 in Buenos Aires, Argentina. He is a writer and director, known for El estudiante (2011), Carancho (2010) and Leonera (2008).His last film, Paulina won the Critic´s week Nespresso Grand Prix in 2015.
Juan Manuel Villegas
Celina Murga
Film director Celina Murga, has worked as an assistant director and, in 2002, directed her debut feature, ANA Y LOS OTROS (ANA AND THE OTHERS). This portrait of a young woman returning home to Paraná has been acclaimed at many film festivals, including Venice and Toronto, winning several prizes. Her second feature film, UNA SEMANA SOLOS (A WEEK ALONE), had its international premiere at the 2008 Venice Film festival and was screened at many other major film festivals, including Rotterdam, London and Thessaloniki, also collecting prizes including one for best director. Her latest film THE THIRD SIDE OF THE RIVER was recently presented during the 2014 edition of Berlinale on the occasion of which it was nominated for 9 awards including the Golden Bear.
Pablo Giorgelli
He was born in Buenos Aires, in 1967. Between 1991 and 1994 he studied Film Direction. He has also studied acting, edition, and scriptwrite with prestigious professionals. As a director and scriptwriter he has worked in several documentaries and shortfilms. As an editor, he has worked in MOEBIUS (1995), directed by Gustavo Mosquera and SOLO POR HOY (2001) by Ariel Rotter. LAS ACACIAS is his first feature; its script was awarded the Coral Prize for Best Unpublished Script at the 29th International Festival of New Latin American Cinema in La Habana. In last edition of the same festival was awarded with post-production award “Latinoamerica First Copy”. The film also won the Caméra d’Or Award at Cannes International Film Festival 2011.