Final Conference of the Creator Doctus project – Sunday 31st of October 2021

On Sunday 31st of October we will organise the Final Conference of the Creator Doctus project, which will be hosted by Gerrit Rietveld Academie and takes place in Amsterdam. However, if you can't join us live, you will have the opportunity to experience the conference through our live stream!

On Sunday morning, just before 10.15 CET please open this link to the live stream
Please notice that in the Netherlands the clock will move backwards one hour on the Saturday night, so don't be too early.

The conference is a milestone moment where a book on the Creator Doctus trajectory, including case studies and a framework will be presented to the sector, including Higher Arts Education Institutions, artists, professional practice partners and other stakeholders representing the field of higher arts education.

Conference Programme

10.15  – 10.30            opening words, introduction and launch of the book
                                   The Creator Doctus Constellation: Exploring a new model
                                   for a doctorate in the arts
 by Annelies van
                                   Eenennaam and Jeroen Boomgaard from Gerrit Rietveld
                                   Academie
10.30 – 11.00             presentation Jane Jin Kaisen
11.00 – 11.15             15 min coffee break 
11.15 – 11.45             presentation Saoirse Higgins
11.45 – 12.15             presentation Caroline Meyer-Juershof
12.15 – 12.30             panel discussion
 
12.30 – 13.15              lunch break
 
13.15 – 14.05             Keynote speech Florian Cramer and Michelle Teran
14.05 – 14.15             Q&A
14.15 – 14.30             15 min coffee break
14.30 – 15.00             presentation Femke Herregraven
15.00 – 15.30             presentation Arnas Anskaitis
15.30 – 16.00             presentation Theodoros Giannakis
16.00 – 16.15             panel discussion 
16.15 – 17.30             final discussion on the 3rd cycle model and closing of the conference

Moderation by: Paula Albuquerque

Paula Albuquerque Paula Albuquerque is an artist and scholar with a PhD and a Postdoc in Artistic Research, University of Amsterdam (UvA). She is Senior Researcher at the Gerrit Rietveld Academy of the Arts and head of the Master of Artistic Research at UvA.  Her artwork has been shown during solo exhibitions at galleries Nieuw Dakota, Bradwolff Projects, former Stedelijk Museum Bureau Amsterdam, and at film festivals, i.e. Sheffield DOC|Fest and International Film Festival Rotterdam. She has published the books The Webcam as an Emerging Cinematic Medium (Amsterdam University Press, 2018) and Enter the Ghost – Haunted Media Ecologies (2020), as well as articles in peer-reviewed journals. She regularly presents at conferences, i.e. Media in Transition at MIT, Boston; and Visible Evidence at School of Cinematic Arts, Los Angeles.

Florian Cramer is reader in Autonomous Practices at Willem de Kooning Academy & Piet Zwart Institute, Rotterdam. Current research projects are ‘Making Matters’ (with Leiden University, Het Nieuwe Instituut, Waag Society & West Den Haag) on collective material practices and ‘Autonomy Lab’ on new concepts of autonomy in the arts. With Nienke Terpsma from Fucking Good Art, he wrote the essay ‘What Is Wrong with the Vienna Declaration on Artistic Research?’. Other recent publications include ‘Crapularity Aesthetics’ (2018, online) and with Wendy Chun, Hito Steyerl and Clemens Apprich – the book ‘Pattern Discrimination’ (2018). Florian volunteers for WORM, PrintRoom, De Player & Awak(e) in Rotterdam.

Michelle Teran (born in Canada) is an educator, artist, and researcher. She is reader Social Practices at Willem de Kooning Academy in Rotterdam. She received her philosophiae doctor (Ph.D.) in Artistic Research, Faculty of Fine Art, Music and Design, University of Bergen. Her current and ongoing research areas are socially engaged art, counter-cartographies, feminist, eco-social and critical pedagogy. Recent publications connect to emergent research around transformative pedagogy and include Everything Gardens! Growing from Ruins of Modernity (2020) with Marc Herbst and Situationer Workbook/Situationer Cookbook (2021) with various authors. She is the winner of the Transmediale Award and Prix Ars Electronica honorary mention.

info@creatordoctus.eu
www.creatordoctus.eu

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ORIGIN

EQ-Arts has evolved out of the European League of Institutes of the Arts (ELIA) Thematic Networks Interartes and artesnet Europe into a fully independent ENQA affiliated incorporated organisation that offers a critically supportive approach towards Quality Assurance and Enhancement for the Higher Arts Education sector, conducting rigorous institutional and/or subject peer review undertaken by an international panel of EQ-Arts trained and experienced QA reviewers.

VISION

EQ-Arts aims to be the leading provider of quality assurance and enhancement services to higher education institutions in the Creative and Performing Arts and Design sector (CPAD sector) in Europe. While recognising academic and cultural diversity across the sector it will work to establish benchmark standards that help to assure and enhance the quality of academic provision, and the student learning experience, in an international context. Through this work EQ-Arts will be known as an independent and trusted contributor to the CPAD sector, working constructively and efficiently with higher education institutions and national agencies. So, it will engender public confidence in the quality and value of higher education in the respective disciplines of the CPAD. Alongside this EQ-Arts will also work to advance the sector’s capacity for high quality third cycle provision and to stimulate CPAD research that drives the knowledge gained from research back into the teaching curriculum, to enhance the student experience and benefit communities outside the academy.

MISSION

EQ-Arts embraces the underpinning principles of the European Standards and Guidelines for Quality Assurance (ESG) 2015 and will work to fully embed the common framework for Quality Assurance. In particular, that Quality Assurance processes should:

– be the primary responsibility of Higher Education Institutions (HEIs) in assuring the quality of their own provision
– be responsive to the diversity of higher education systems, institutions, programmes and students;
support the development of a quality culture;
– take into account the needs and expectations of students, other stakeholders and society.

Within the fields of CPAD across the EHEA the specific mission of EQ-Arts is to: 

– promote a strong quality culture for excellence and its continuous enhancement;
– help guarantee the equivalence of minimum threshold standards for any academic qualification offered in the EHEA;
– continually enhance the student learning experience to achieve the highest standards; 
– encourage the transfer of knowledge gained through staff research back into teaching;
– instil trust and confidence in the processes of quality assurance and enhancement;
– help to build institutional capacity for high quality internal review and enhancement. 

Please visit our website:
www.eq-arts.org